Visions of bright future

The Annunciation" c. 1485-92 (Metropolitan museum of art) (Picture I) http://gamesandtehories.blogspot.com/p/the-analyses-of-botticellis-painting.html Kimmo Huosionmaa "The Annunciation" is a painting, what Botticelli (Alessandro di Mariano di Vanni Filipepi  (1445-1510)) painted in c. 1485-92 is one of the masterpieces of religious arts, and it's the remarkable thing in the history of arts. The reason, why Alessandro di Mariano Filipepi used the name "Sandro Botticelli" in his arts might be caused that this man painted the religious painting, and that's why he had to cover his identity. Those paintings were the politically sensitive thing, and if the painting didn't please the customer, would that cause the prosecution in the inquisition, and in the worst case death, if the inquisition would translate that the painting was blasphemy or it predicts the death of the ruler of the country or even the pope. In the painting "The Annunc...

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Barge Haulers on the Volga Ilya Repin (1870-1873) Kimmo Huosionmaa Barge Haulers on the Volga is a portrait, where great Russian artist thinks about work. This portrait raises the question in the people head: who actually does the job? There are many aspects in this portrait, and one of them is, who actually does everything in the state? Who goes to war in if the ruler of the state would want to go to the war? In the real life is always people, who get more about their jobs than others in that group.  The role of the suffering is always reserved to workers, who don’t, of course, have any education. This portrait might inspire Karl Marx or Friedrich Engels in the Surplus Value Theory, what has transformed in the hands of sociologists to the theory, what has the same name, but different content and message to the people. In sociology, The Surplus Value Theory means that some workers don’t do anything in their workplace, and the leaders of the state would see differen...

"Burned village" Albert Edelfelt (1879) Kimmo Huosionmaa Above this text is a painting, what we all know. It’s Albert Edelfelt’s “Burned village”, and it is the vision of the burned house. There is a couple of people managed to escape from that place before the military men came and killed all. This vision could be from any war in the world, and it could be the portrait of attack to some village in German Eastern front. Those cavalrymen were painted without details, what helps to return this kind of happenings in the mind if some person were in that kind of situation. This painting could be the portrait of an attack against civilians. And the message of this painting, is somebody always sees, what really happened. This portrait might be used in some memory therapy, where the therapist tries to find out why some person sees nightmares all the time. So the question of this portrait is that it is painted in 1879, and this picture could be based on the real story. ...

Kazimir Malevich "Suprematism" (Suprematists composition 1916) (Picture 1) Kimmo Huosionmaa Kazimir Malevich (1878-1935) was one of the artists who made so-called futuristic paintings in the area of cubism. This man was the very remarkable person in the area of this art. And here we must say, that Stalin didn’t like this man style to make the art, and this is why he was not very popular in the Soviet Union. The art style, what this man represented was so called corruption, and it was not supported, what meant that those paintings were prohibited. One of his best-known painting was so-called ”Black Square” from 1912, what became the synonym for all modern art, whatever painted in the world.  But that simple painting was not only worked what Malevich made. One of his most remarkable work is the ”Suprematism”, what seems very well known the thing. Some engineers think that this painting gave the idea for making the laser (Light Amplification of Stimulated Emission...

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